a return to vr from ben sun, who delves into deeper territory on the original cut, emotive analogue synths washing over a roland drum groove and a swirling female vocal, all underpinned by a warm, rumbling bassline. the flipside features some heavyweight remix work from the prolific deep space orchestra (use of weapons, art, delusions of grandeur) and label mate tyson ballard teaming up with vincenzo (poker flat, dessous). vincenzo and ballards mix is a heavy hitting, moody take on the original, with subtle, dark strings and a growling, evolving bassline, while dso round off the release with trademark fat drums and soaring melodic synth work.

supported by citizen kain, electric rescue, nicolas cuer, popof ...
here is the first outcome on junky robot wax. 3 angles of noisebuilders music is explored here. >music quest everyone< is a melodious techno anthem hard get off your mind once it goes on. >fat cat< would tend to be minimal and hard at the same time, its devastating kick wont leave the dancefloor without beeing noticed. and last >maison liquide< brings a gooffy minimal house atmosphear.

here come the new oton from mik izif & midwooder. they delivered a fat ep with original and remix ! peaktime techno with minimal effect >slope time< will hurt you on the dancefloor with strong melody and sure kickass bassline. enjoy

the man with the sexy basslines. the man with the cool hooks. the man with the fat drums. the man who sleeps in his studio. the man who sounds like kc or alikes. the man who breathes house music. the man who is house music. alex agore!!!!

audio danger records is back and this time they welcome coda and savage rehab to the label. showing the labels diversity, this release is strictly for the dance floor with both tracks bringing huge baselines sure to get any dance floor rolling. coda has been fast becoming a name to watch with his recent hit >tunnel bass< by himself and zen on zens label flip audio. he follows this release with the track crucial on audio danger records. this tune packs big bass and fat drums in buckets. the track has been supported by many artists including hazard, zen, serum, utah jazz, savage rehab and many more. a must for all bass-heavy lovers. savage rehabs remix of crucial is absolutely firing. this track has already had huge support by dj hazard, zen and the risky on the dnbarena podcast. expect steppy beats and a super heavyweight bass line that will get any dance floor moving.

fat beats on phobiq! marco bailey and dany rodriguez deliver us two pearls of masterpiece techno,morning bird scream and experiment are the right combination of driving grooves and hypnotic elements. the genius sian completes the work with a monstrous remix! dancefloor killa!

limited repress on black vinyl with self made yellow printed labels! acidicted_0.0 brings finally two of the most-wanted auda_acid-houze eps back to the dancefloor. the double-a-side limited-edition contains 200 coloured vinyl 12 inch copies equipped with inserts and labels, handprinted (silkscreen) by the artist himself.

in a time when rock critics saw the prodigy as a glorified keyboard player flanked by a couple of weird and scary dancers, liam howlett & co showed the world how dance had evolved away from the club scene and into the festivals & arenas.
and they did that by staying true to their own sound. while dance moved from acid house to rave to ambient to breakbeat & drum n bass, the prodigy changed their brand of hard-hitting breakbeat with king-sized hooks and unmissable samples only sparingly.
always outnumbered, never outgunned was the long-awaited album after their breakthrough smash fat of the land. featured on the album are namesake liam gallagher, kool keith, twista and even juliette lewis, morphed and wrangled beyond recognition on an album that goes back to the core of what the prodigy stands for: a thumping bass, mad beats & noise flying every which way but loose!

fat bomb! citizen kain & phuture traxxare back on neverending with a banging original track and 2 massive remixes by secret cinema and da fresh!no repress, only 300 copies of this dancefloor bomb are available!

originally from time bandits >shooting love< shows perfectly mustangs musical obsession for italo, disco, early house & classic pop music. the remix package comes with an uplifting acid techno style remix from black strobe.

superdisko 06 enters the late summer with a melodic house smasher from viennese underground stars smacs and patrick kong, it is the first vinyl release of smacs and patrick kong on the superdisko label, 2008 they opened the catalogue with their great >sender/ receiver< digital release, now they are back with >innocence< in a dirty mood! superdisko label boss tobias oliver comes with a fat remix of >innocence< in a driving techno style with analogue chords and pads and brings the track into a sunny 90ies feeling....

stefan schutz aka juno6 belongs to the society of the leipzig new school, which for the last 5 years has cut a path through emotions and change in diverse regions. his particular real estate is comfortably between deeper house and thoroughly scrutinized techno. sometimes he tends in one direction, at other times the opposite. all the while juno6 captivates both listeners and dancers alike with something new. his live sets are always an occasion – sound expeditions in the most literal sense embedded powerfully, yet imminently fresh as they are bound to tradition. he even dials up the the ambient/electronic field with project beautiful planet earth, or together with friend daniel stefanik as sensual. the sonic awareness of juno6 is expressed consistently as a potent degree of warmth, which paints a distinct lively and long-lasting tone on club music. the tone is hardly useful as a flavor of the month, but rather, a music with stamina and character. his track >guununk< is for more than a few the quiescent highlight of the fat 5zig compilation. on his second from fat, he displays the juno6 portfolio fully and expands his present effect with a portion of funkiness and a sprinkle of pop – at least on one of the cuts. with clever vocals mr. schulz informs us yet again.

timeless classics of disco and funk on double 12 inch. make love to the music!

what?!? what?!? what?!? whats going on? the great new publication from beatamines (damm rec. , mbf) >what?!?<. oh yes, i tell you, there are 3 really fat parts on it. the original by betamines kicks your ass, the steve lischinsky remix kicking your feet and andy kohlmann (lordag, zylinder) guitar airs and graces kicks your brain. thats a good precondition for the 4th publication on mimique.

after the success with their repress of afulab 06 bump race, lowkey & kardinal from the wine capital of burgondy (that?s why it?s called electrovino in france return with a massive and solid techno release in two parts. the first part includes the peak time Übermonster two stroke, which features all the ingredients a massive four-to-the -floor track needs ! fat rhythm bed and a never stopping and building tension ! slice of life features the equal recipe, but goes definitely deeper and darker. coming to the final with popping cherry, another techno bomb for this more than great package of electrovino part one ! and electrovino part two is following shortly? we love and release on vinyl !

the advanced human - >air< ep is the latest deep offering from gynoid audio. rich with dub chords, atmosphere and reflection it is truly a celebration of living.....and breathing. the original offers up rolling dub keys surrounded by intricate percussion and a drive aimed at the dance floor. the ground loop remix finds itself rich with space and atmosphere while still lending from the dub influence of the original. markus suckut brings to the table a hypnotic dub influenced version to die for, all pushed a long nicely by a fat, low slung bassline and held in tension by the comings and goings of timely atmospherics. the raiz boys, as expected, move things back in a peak time direction by stepping up the rolling dub chords and putting the funk in the percussion. air. breathe. enjoy.
supported by: james ruskin, par grindvik, pfirter, ben sims, dustin zahn, nihad tule (drumcode), donor, audio injection, pacou, patrick lindsey, 88uw, mattias fridell and various others.

luis flores delievers a great techno ep for micro.fon. packed with good stuff the two originals come along with 2 tool edits and two fat remixes. audio injection from the usa delievered a dubby dirty gritty stripped down tech version of >love your machine<. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and put into heavy rotation by the likes of chris liebing and speedy j. already gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere, he now offers 3 slabs of pure sizzling dark groove for micro.fons latest, including a remix by super-in-demand audio injection. support by: andreas henneberg, daniel sanchez, danilo vigorito, dj murphy, drumcell, jeremy p caulfield, joseph capriati, klein & meister, paco osuna, thomas krome, tommy four seven, tony rohr & many more.

achtung, warning, balushi is out with two new techno bombs for the summer. on the a side let me be myself is a deep aquatic adventure with a huge basline chugging along. there are some deep dark underwater effects and vocal snippets which develop into a deep stabby groove that hypnotizes anyone listening to the track. there is then a break with a beautiful vocal derived from the snippets that refreshes the listener and takes them into another dimension before bringing them back into the heavy hipnotic groove. on the aa side we have the path one hell of a tecno crossover designed to electrify and rock summer crowds all globally...with a funky meaty bassline that rolls on and perfectly complements both rasta vocals and crazy electronic synths and squelches the path is a fat groove to look out for on the hottest dancefloors...

manila fine vinyls is the label project created by edo arengi (shadow sync) back in 2010 to bring out that soulful side of techno we all love. unlike some freaks you can hear around nowadays, the manila fine vinyls productions have their roots in the original detroit sound: no frills, no virtual mockeries, just the full and deep analog sound that goes straight to your heart. music is a matter of substance, not of decorations! this second release includes two brand new tunes produced at the barricade, edos studio located in the heart of berlin. more feelings, with its electric piano chords and the moog bass line, is a well balanced blend of a fat groove and sweet azmospheres. techno with a little touch romanticism! i want to believe, a deeper tune built around a powerful, hypnotising sh-101 line with a delightful slide, is opened by touching string chords and grows as the various percussive elements are added creating a thicker rhythmic texture. its unsophisticated music, its the original spirit of techno.

the original track warp by the tripodz has been causing a stir in the drum & bass scene worldwide. the mp3 of the original mix was given away about 1 year ago to a handful people but it made a circuit all around the world. thats why we reserved this new remix of warp for our treasure chest and are proud to announce it to you now!
besides misanthrop, phace & neonlight, proktah is the hottest neuro producer in germany and always delivers the highest quality in sound. these tunes have all what it takes to make it an anthem: epic electro synth edits, a massive bassline, fat orchestral string sounds and rolling drums & percussions - one neuro remix on the a-side and the original jump-up anthem on the flip. drop this as intro and you can be sure to get everybody on the dancefloor ... say no more

nice price deal !!! nice price deal !!! nice price deal !!! upps he did it again! rock n roll comes back to stock5!! or is it heavy metal? we dont know but its fat and its from ahmet sisman. but instead of bleeding out the same ideas again and again, ahmet presents a totally new side of his soul. his beat gains a lot of power and presence, fewer sounds do more without losing the typical sisman atmospheres! the young artist from essen knows nowadays how to interpret and manipulate tendencies to his very own style! and as usual great work and for sure one of the seasons big surprises

glenn wilson & mattias fridell present: tonal path. solid chunky techno with fat vibes aimed at the big floors! under construction & heavy structure by glenn wilson and on the flip tony montana gets the rework by mattias fridell & glenn himself.

jason little returns to the frontline of the hardtechno scene with his jasons mask series. with his cd just out there and promoting the label big time with loads of gigs and hardcore beats, jason little teams up with the creme de la creme of the scene with his first various artists ep. check the sound you all know by jason and his friends svetec, sml, montek, instigator and madelephant. big hardcore techno beats!

four veteran detroit creators, individually accomplished and respected. each, a producer / performer / dj with a long history of deep, inspired, electronic and accoustic music, so innovative, to spawn a genre all its own. soiree records proudly showcases these melodious, technological, architecs on the first installment of detroit: deepconstructed. drivetrain leads off with driven. multifunctional and intelligent this one was constructed from the floor up, genuine and raw. throbbing rhythm and harmonious pads generate the perfect ambience for the signature vocal proclamation. next up, dorian gigís, the james herbert theory is a courageously deep, tech flow. gigs solid detroit influence clearly takes centerstage. thick, fat chords atop a flanged hi-hat move the air while the syncopated riffs fill the groove. dwayne jensen returns from a long departure with i see the sun light. reflecting jensens untold late night, underground experiences.this crafted pulsating, solid house swing inserts a hypnotic vocal chant for total authenticity. new to soiree records, but a known novice and powerhouse to the cause, malik alston’s offering is dance jazz. showing off some extraordinary piano chops, backed-up by a mental sax riff, alstonís unyeilding bassline and acid blips will not disappoint the dance floor. detroit: deepconstucted is music undefined from a place where music does not compromise.

vinyl only!! styrax records presents the last part from the serie >in loving memory<. the release come with an artwork of james marsh, former best known for collaborating with the seminal 80s band talk talk, producing all their iconic album covers. the folder is used for the acceptance of all >in loving memory< parts 1-4. as bonus the special 1 (2x12inch vinyl) with rare and classic tracks from ron trent, larry heard, herbert, isolée, reggie dokes and dj qu

mr beatnick has played an active part in the burgeoning uk beats scene which has produced talents like bullion and paul white. his best known track >i know all the bitches< featuring the vocal talents of ahu, became one of the anthems of this movement, thanks to numerous spins on the likes of bbc radio 1 and rinse fm. in his music you can hear the influence of whole generations of music from mantronix to the 90s bay area scene and beyond, and the new ep >synthetes< takes this approach up a gear, exploring a path between the crackling breaks and samples of old, and the dancefloor music of now. with early support from braiden (rinse fm), slackkk (numbers), bullion (young turks), mosca (nightslugs / fat city) and gilles peterson (bbc radio 1), the >synthetes ep< looks set to find a unique place in the record boxes of bass addicts and beat diggers alike this summer.

for more than a year, third ear and benjamin have been selecting tracks for this ep and for an album to follow later in the year. the wait was largely due to the track no kicks, which initially used a chuck d acapella, titled no. when third ear couldn?t get clearance for the acapella, we suggested to benjamin that we try and think of another poet/rapper who could produce an original lyric inspired by chuck d?s flow. after some thought we suggested diamondancer, who was inspired to write the lyric she performs here. stay hungry stay foolish and acidic sun are delicious and dreamy, with a fat pulsing groove. hello ammmerika is more urgent, pushing the groove constantly.

limited promo release.

a true showcase of vesicles creativity, versatility and dark bassline science, the we are lost ep contains 4 deep and dark dubstep excursions and makes a strong case for this finnish duos inclusion among the genres best and brightest of the new generation of sound visionaries. the title track we are lost is a beautiful, dark anthem combining haunting vocals with live guitars, intricate melodies, precision drum programming and fat slabs of bass. the result is a well-rounded, catchy and melancholic masterpiece. smoke curls switches up the program, engulfing the listener in deliberately lo-fi sound fx and percussion whilst conjuring up deeply emotional, melodic bliss by juxtaposing a dusty piano with a soaring, distorted, filtered leadline of 8-bit chiptune charme. destined to become a dark breakstep anthem,mythos harks back to the late 90s metalheadz sound with its epic synthlines, eery vocals and massive, growling reece bass constructions. redemption completes this vicious circle with a journey to the depths of darkness, attesting to vesicles true mastery of uniquely filthy bassline construction on this stripped-down vision of despair. to ensure that this ep looks as mindblowingly sick as it sounds, the vinyl release features stunning, limited-edition full sleeve artwork!

steve lorenz is the guy you will have to look for in the next months. he works around many musical influences. the first track >overclock< evolves into fat basses, bursted kicks & percussions. >overclock< remix, operated by damon wild international acclaimed and legendary synewave boss label (joe beltram/ jeff mills / adam beyer…,), results in an energic deeper techno, mental beats & dubby influences, a mind blast! the track >viraga< keeps the finest line. industrial noises & subliminal female voices are twisting in speakers & surely ll keep your head! close your eyes & start the journey. closing the race, >viraga< remix was realized by narrow friend kane roth (smallroom / lessismore), south french producer who recently moved to berlin. her production means well being quality, there is no coincidence if she has been remixed by maetrik & monoloc some months ago. keeping essential elements of the original viraga , she dropped a muscle main floor edit! hands up!
support from deetron, renato cohen, angel molina, claude monnet, loulou players, ashley beedle (x-press 2), hector romero, southmen (yoshitoshi), aga heller, corbin dooley, tim richards, esben b, mister no (motor), crystal method, aldrin ...

if there is any country fitted for hard techno its poland and that just happens to be the country mental crush is from! devastating hard beats from the industrial part of the planet. dark, heavy, dark, nasty, hard and did we mention dark?

2nd techno shot from new french label jaygone music, and further step to bring you 4 heavy tracks for heavy sound systems. a-side includes groovy loop + fat saw synth in a dancefloor killer, and b-side is actually a 50% detroit hybrid. dont even have to choose, thanks 4 tracks vinyl

lowkey & kardinal are undoubtedly the most excited french techno duo at the moment. their groove is incomparable. they provide us once again a fat electro techno, with pumping beats. b-side stands 2 banging remixes from al core (micropoint) under his new electro pseudonym hartigan, and disturbed traxx. a very dancefloor 12 inch !

deep space orchestra have been carving out a very nice name for themselves over the past year, and alongside the likes of cottam and krl it&#700,,,s safe to say that they are helping to establish an exciting new movement of raw, detroit-inspired house. the diy approach is very much a part of their ethic, as is the underground feel and aesthetic which imbues their own use of weapons label as well as their recent releases on similarly minded vinyl-orientated labels such as foto and kirk degiorgio&#700,,,s legendary art. the release we have here is perhaps their most refined music yet, showing a development in their production level on two tracks which are brimming with a warmth and fatness whilst retaining that critical raw edge which only a handful of the most exacting producers seem capable of. lo pan builds around a fat, bouncing bass line and a brilliantly lilting groove created by straight 808 hats and shuffling shakers. the feel keeps shifting throughout the song, sometimes superswung, sometimes straight and driving, all the while simple detroit strings build and analogue arps are layered up building the tension in the arrangemen

nice price deal !!! yes yes people, we are back! its been a while, but we are going to be hitting you with some seriously good tunes this year, so watch this space. anyway, on to the music: if you like your tunes big fat and heavy like an elephant on steroids, then get ready for an absolute pasting from new boy on the circuit, depone! depone is a producer that has really caught our ear at the z audio towers of late and when you hear these tunes, i m sure you will understand why. all 3 tunes are fierce, dirty, gritty, disgusting and overall very well produced. the great thing about depone is that he manages to create in your face music without pointlessly wobbling the lfo filter. theres some real depth to this young talent and i m sure you will be hearing some more great music from depone in the very near future.

maurizio vitello returns to metroline with some seriously deep bass-driven techno. a devastating ep. the lead track is a driving, stripped down techno groove. full-bodied toms and a seriously fat bass keep the track rolling while filtered vocals and understated synths add the dynamics. heavy! looking good keeps that groove going with a bassline so heavy you will have to pick yourself up off the floor. a bubbling percussion break evolves throughout the track, building in complexity, but kept in check by some nice metronomic hats at the high end. on movers maurizio lets the drums do the talking. everything locks tightly around the solid kicks. the multi-layered break adds a sweet cubano vibe that you simply wont be able to shake off. let the bass drrrrooopppp! pleased? yes we are. this playful track is going set the summer floors on fire. vocal samples weave in and out of the mix, and sharp-as-a-needle 80s-tinged synths stab through the deep, heavy rhythm track to awesome effect.

etherical indie album with acoustic rock as wel as fat electronics on this coloured vinyl lp from eat concrete.

glenn wilson & mattias fridell present: brave! solid chunky techno with fat vibes aimed at the big floors!

shadow ray is best known in house music circles as the co-producer of the oasis 1, 13, 13 1/2 and 14 releases with omar s, although he is also well known to the ryan correctional facility for more nefarious reasons. the detroit-based producer has spent the past four years at ryan earning not only a hard knocked life but a trade in sound engineering. that was until alex smith (aka omar s) made a presentation to the facility s parole board to commission a remix of his recent hit >heres your trance now dance< as part of rays work release program! rumour has it the parole board was inhabited by at least one old school house head, and we re delighted to see alexs idea come to fruition, with shadow ray really nailing it with this remix. staying true to original s shimmering melody, ray opts to bolster the bottom end with a raw bassline that creates a nice, fat rolling groove

the annual nightmare event dates are consequently marked in the calendars of hardcore heads with a big fat red marker. in the months prior to these dates, two major things runs through the hardcore fans mind: who?s in the line-up, and who will produce the next nightmare anthem? the answer to that last question is enzyme records finest: weapon x.

we are happy to welcome a new artist into our family. young jose pouj is one of the new emerging talents from the spanish techno scene. his speciality is hard edged techno, but with a touch of class. a sound carefully crafted and skilfully developed. his blood poisoning ep starts with waken, a scientific techno number with a solid rhythm arrangement, fat basses and sharp synth workout, a funky electronic steamroller designed for body and mind. the b side opens with sepsis, a harder approach to modern techno with a strong drum programming, sweeping drones, an arpeggiated bassline and a bunch of bleeps that appear and disappear throughout the arrangement. an anabolic track that slowly goes to a mental break and turns once more to madness. the release closes with organic return, where the main course is made up of carefully programmed synthetic drums, till an emb-flavoured bassline comes into the track, reminding us of the good old pulsinger style. summing up, this is the work of a great young producer that injects new blood into our label. watch out for forthcoming adventures of this new talent.

amazing records is proud to present its first vinyl release: a great four tracker from label heads, minicoolboyz. lost in lodz opens the ep. a minimal / housey track with a catchy, hypnotic groove and charmingly deep vocals. this is my acid house has an exciting blend of classic house rhythms and acid basslines. a modern and personal reinterpretation of acid techno, with some powerful and exciting breaks. excuse me, has been designed specifically to entice wildness on the floor, with its filtered, deep groove: perfect for the peak time! feel my drums is the perfect mix of techno fx, house drum patterns and rhythms. this tune is 100% minicoolboyz style: deep, catchy and fat! a superb ep to launch the first in a series of vinyl releases from the label. supported by: anton pieete, paco osuna, someone else, stacey pullen, karotte, popof, markantonio, monika kruse, nic fanciulli, anthony collins, michel de hey, richie hawtin, umek, mauro picotto, and many many many more!

glenn wilson & mattias fridell present: tonal path. solid chunky techno with fat vibes aimed at the big floors! heavy structure by glenn wilson gets the rework by mattias fridell, space djz, jeff f and glenn himself.

label bosses are back in tandem for the sixth release on micropunto: wine ep, which also marks the beginning of micropunto schallplattens vinyl era. wine ep started as a back to back game after a spillage incident. ikkaku and d-gelo started producing two separate tracks in their respective stations and every half hour they swapped seats, building the tracks as they went along. the result is this musical experiment that sets the trend for all things to come from the micropunto clan. they spilled wine on me kicks in with a deep lead stab from the catacombs. the elements appear on the scene in a stride to resurface. it goes up then down, left, rigth, it gets dubby, then back in your face. in i spilled wine the beat unfolds steadily like a bulldozer coming up to the surface in search of the true sound. next we meet the preacher. with a subtle housy piano lead he puts us in the right track, reminding us that the dance floor is made of sand and we are on the rivers bank. listen to the flow. lord techno, you are my music. originally inspired from a dub tune featuring ras ajay from the spaceship sound crew in london,dubwine closes the triangle with a huge dub flare. fat subsonic bass and broad stabs make this track a serious contender on the dub techno charts. its the producers blink of respect to the reggae culture that has inspired them all through the years, hence the vinyl release.

aloe records, the second label of db artists group, signs a new ep of the two talents alex babyface ferrazzi and matteo keemani, a cool housy track with a fat groove. idriss d asked a remix to dani casarano & felipe valenzuela from cadenza records and federico grazzini.
played by m.a.n.d.y, timo mass, benji candelario, dan marciano, horatio, paco osuna, gel abril, daniel sanchez, dirty channels, soundwall, arado, hugo (italy), troy pierce, alex pini aka pizeta, belfeetoce robsoul, liucano esse, alber asd, dj wild, paolo martini, nic fanciulli

remix bombs by douglas greed (fat) and heinrichs & hirtenfellner (supdub)

and the story goes like this: skipson (also known as knarf skipson in the past) was recording the >ks editspot pt.1<, which is based on samples from a rob mello track. as skipson is a nice fella, he sent the final version to rob. and as rob is a nice fella too, he liked it, sent one of his tracks back and this project was born. thats the easy way of sample clearing! this 10inch is about house music, as simple as that! groovy beats and fat basslines, rough and ready. limited to 500 copies - enjoy!

hooba booba is not even a bubblegum. alex kork (relax 2000, plattenbau music) is presenting us a phenomenal boredom buster. funny and pumping tracks with fat beats and extraordinary vocals. and giovanni plays again the contrabass in his funky matter.

inclusive download code.
>gable is the story of two drummers who decided to play the guitar and a girl who learnt to play the keyboard by sticking coloured sticky labels on the keys.< french art-pop pioneers gable have been causing a significant stir of late, captivating audiences with their unique luxury diy. having spent the past year experimenting with a bizarre collection of odds and ends lying round their studio and home, they have created the fabulously eccentric and catchy album >cute horse cut<.